a health to all that shot and missed

Emily, 19, Sydney. Aspiring fanartist. Studying Media Arts and Production. Expect: My Chemical Romance, One Direction, Community, Parks and Recreation, Doctor Who and whatever fandom is my flavour of the month. Currently living a Liam Payne appreciation life.

I'm chronotoper over on Twitter!

attilarrific:

dollychops:

Dorothy and Alice

“It was all sort of odd, you know,” Alice says pensively, balancing the teacup on her saucer. Picnics are all well and good until you’re forced to walk all the way back to school with a rapidly cooling wet patch on the front of your skirt.“That is, I believe,” Dorothy says, “rather a prerequisite for journeys to other worlds. Of course, I could be wrong.”Alice sighs heavily. “Must you always be so literal? I didn’t mean the going there, or the being there, or even Wonderland itself. It was only that I felt so queer once I got back.”Dorothy hums thoughtfully, reaching over to scratch at the top of Toto’s head. (Technically, of course, pets aren’t allowed at school, but they’d hardly let something as little as a rule stop them.) “Like everything was somehow…less, here?” she says. “That’s how I felt, sort of.”“No,” Alice says, a little surprised. She brushes a stray bit of hair out of her eyes, tucking it back behind her headband and thinking hard. “Not at all, actually. It was like I was somehow more.”Dorothy reaches over to steal a sip of tea, lifting the cup out of Alice’s hands and setting it down again after making a face. “That’s gone cold, you know,” she says. “You really ought to drink it faster.”Alice rolls her eyes. “If I did, I wouldn’t have any left for you to take.”“That’s true,” Dorothy says easily. “Anyway, isn’t it all sort of the same thing?” When Alice frowns at her, she adds, “The world being less or you being more, I mean. I think you sort of end up in the same place either way.”“Maybe,” Alice says, taking her own sip of—stone cold, it’s true—tea. “But I think there’s something to be said for perspective, don’t you?”“Probably,” Dorothy admits. “Though I will say, if one more teacher sits me down to have a gentle talk about glasses being half full or empty, I shall scream.”“And I would support you in that,” Alice says loyally. “I should scream with you, if you wanted me to.”Dorothy laughs. “Only if you feel a truly desperate urge,” she says. “And I hope you know I would do the same for you.” She sighs. “Still, it’s not my fault if they think I have a bad attitude. I can’t help it if I’m always wondering whether the teachers actually know anything about the things they’re telling us.”“Well, it’s not as if you can tell them that you’ve been to a country where the man in charge is lying about his qualifications,” Alice says, and giggles. “Only think of the looks on their faces.”Dorothy laughs too, but she sobers up quickly when they hear a bell ringing in the distance. “Ugh,” she says with feeling. “We’ve History next, and that always makes me feel as if someone’s stuffed wool between my ears.”“Perhaps they have,” Alice says, finishing off her tea and packing it away. “Come along, Chester,” she coos, picking up her cat while Dorothy grabs the basket.“I don’t see why you didn’t just call him Cheshire,” Dorothy says as they start off back to the school.Alice shrugs. “I think it would have made me feel sad, knowing that he wasn’t,” she says, and Dorothy nods in understanding.“By the way,” she says, “I’ve been meaning to ask. Have you met the new girl?”Alice frowns. “You mean what’s-her-name? Susan something?”“Pevensie,” Dorothy says eagerly, nodding. “I think we ought to ask her to lunch with us.”“Really?” Alice says, surprised. “I wouldn’t have thought it of her.”“I can’t be sure, of course,” Dorothy says. “But I got a sort of funny feeling off of her. She’s certainly worth a look, at any rate.”“Well, then,” Alice says, delightedly. “Look we shall.”

attilarrific:

dollychops:

Dorothy and Alice

“It was all sort of odd, you know,” Alice says pensively, balancing the teacup on her saucer. Picnics are all well and good until you’re forced to walk all the way back to school with a rapidly cooling wet patch on the front of your skirt.

“That is, I believe,” Dorothy says, “rather a prerequisite for journeys to other worlds. Of course, I could be wrong.”

Alice sighs heavily. “Must you always be so literal? I didn’t mean the going there, or the being there, or even Wonderland itself. It was only that I felt so queer once I got back.”

Dorothy hums thoughtfully, reaching over to scratch at the top of Toto’s head. (Technically, of course, pets aren’t allowed at school, but they’d hardly let something as little as a rule stop them.) “Like everything was somehow…less, here?” she says. “That’s how I felt, sort of.”

“No,” Alice says, a little surprised. She brushes a stray bit of hair out of her eyes, tucking it back behind her headband and thinking hard. “Not at all, actually. It was like I was somehow more.”

Dorothy reaches over to steal a sip of tea, lifting the cup out of Alice’s hands and setting it down again after making a face. “That’s gone cold, you know,” she says. “You really ought to drink it faster.”

Alice rolls her eyes. “If I did, I wouldn’t have any left for you to take.”

“That’s true,” Dorothy says easily. “Anyway, isn’t it all sort of the same thing?” When Alice frowns at her, she adds, “The world being less or you being more, I mean. I think you sort of end up in the same place either way.”

“Maybe,” Alice says, taking her own sip of—stone cold, it’s true—tea. “But I think there’s something to be said for perspective, don’t you?”

“Probably,” Dorothy admits. “Though I will say, if one more teacher sits me down to have a gentle talk about glasses being half full or empty, I shall scream.”

“And I would support you in that,” Alice says loyally. “I should scream with you, if you wanted me to.”

Dorothy laughs. “Only if you feel a truly desperate urge,” she says. “And I hope you know I would do the same for you.” She sighs. “Still, it’s not my fault if they think I have a bad attitude. I can’t help it if I’m always wondering whether the teachers actually know anything about the things they’re telling us.”

“Well, it’s not as if you can tell them that you’ve been to a country where the man in charge is lying about his qualifications,” Alice says, and giggles. “Only think of the looks on their faces.”

Dorothy laughs too, but she sobers up quickly when they hear a bell ringing in the distance. “Ugh,” she says with feeling. “We’ve History next, and that always makes me feel as if someone’s stuffed wool between my ears.”

“Perhaps they have,” Alice says, finishing off her tea and packing it away. “Come along, Chester,” she coos, picking up her cat while Dorothy grabs the basket.

“I don’t see why you didn’t just call him Cheshire,” Dorothy says as they start off back to the school.

Alice shrugs. “I think it would have made me feel sad, knowing that he wasn’t,” she says, and Dorothy nods in understanding.

“By the way,” she says, “I’ve been meaning to ask. Have you met the new girl?”

Alice frowns. “You mean what’s-her-name? Susan something?”

“Pevensie,” Dorothy says eagerly, nodding. “I think we ought to ask her to lunch with us.”

“Really?” Alice says, surprised. “I wouldn’t have thought it of her.”

“I can’t be sure, of course,” Dorothy says. “But I got a sort of funny feeling off of her. She’s certainly worth a look, at any rate.”

“Well, then,” Alice says, delightedly. “Look we shall.”


posted 2 months ago on 16/4/2013 + racketstorydollychops)

It's google street view without the boring bits. 


posted 2 months ago on 25/3/2013 + elvenmuggleemmugh)

universeinajar:

wittywallflower:

Writing is weird.

One minute you are telling a story.

The next minute you are researching the average amount of snowfall Edinburgh gets.

I think the best thing in my search history is “annual camel-related deaths”.


posted 5 months ago on 30/12/2012 + enjoleesiwittywallflower)
→ with 2,079 notes

tags:
#writing
#words

posted 6 months ago on 6/12/2012 + river-bteabubbles)

"I love input from the cast…Dylan O’Brien is such a smart kid, and I will literally IM him or on Facebook at two in the morning and say ‘Hey, I have to come up with a better line.’ He’s hilarious, and I bought him three screenwriting books because I want him to co-write an episode next season!"  -

Jeff Davis (via fishingfortuna)

#SHRIEK

(via saucefactory)


posted 8 months ago on 1/10/2012 + anatsunopossiblebypopculture.com)

Types of Beta Reading 

ivyblossom:

I’m interested in the kinds of fanwork that goes on in the production of fanfiction; there’s  more than we usually articulate, and I’ve often felt like we haven’t got the language to differentiate between the different kinds of beta work that goes on behind the scenes. So I’ve given a shot at articulating and classifying the various kinds of beta reading I’m familiar with.

SPAG Beta. Spelling, punctuation and grammar. This is your basic line edit. This is the person who catches your typos and silly mistakes. 

Dropped Words Beta. Some people might be both a SPAG and a dropped words beta, but I feel this one deserves pulling out. I don’t know about you, but I can’t write a damn sentence without dropping at least a word or two. I think the word is there, I can practically see it there, but it’s not there. Many (if not most) people will add the lost at or an or the in there for you in their minds and not notice, but the laser eyes of a dropped word beta will put you to rights again. To be a dropped words beta you need to be able to look at the text without getting drawn into the story, and that’s both a special skill and a sacrifice for someone who actually likes your story. So anyone who can do this: you are a treasure, a gift, and made of gold.

Plot Beta. This is work that happens at the very beginning, as well as throughout a story. A plot beta is the person you talk your story out with, she’s your sounding board in the creation process. She may not be into SPAG or dropped words, and might not be a britpicker or formatting genius, but that doesn’t matter. Your plot beta’s not really there to worry about your word choice. She’s there to help birth a story with you. I write very long stories, so plot betas come in early go through my outline with me as I construct it. A plot beta is one of the few who end up beta reading an outline, in my experience. Many betas I’ve worked with don’t want to know what’s going to happen next in a story. They don’t want to be spoiled. So you can keep the spoiling conversations between you and your plot beta, and keep surprising a SPAG and formatting beta.

Research beta. This person works with you to help you pin down the bizarre facts you need to get your story right. Like a plot beta, they can act as a sounding board and help you construct the fine details.

Character Beta. This is someone who will act as a north star for you on a particular character. This is helpful if you’re writing about a character you don’t feel entirely certain about, or you just want someone to argue with you about the actions of a particular character so you can feel confident that s/he is at least close to being in character. It’s actually hard to keep the canon core of a character in your mind as you morph and change him/her, so having someone around who isn’t off on your flights of fantasy with you can be helpful in that respect.

Emotional Flow Beta. This is someone who reads your story for its emotional flow. Is it working? Does it ring true? They’re not there to debate whether the characters are OOC, just to tell you if the actions you’re describing feels real. This is related to a plot beta, and can be related to a character beta, but is different than both. Your emotional flow beta might have no idea where you’re story is headed and is just reacting to what’s on the page right now, which is useful. (hiddenlacuna suggests: whump!beta.)

Settings and Location Beta. This is someone who is attuned to the places you’re setting your stories, works well with Google Maps, and is anal retentive enough to correct you if you say it takes forty minutes to walk to that Tesco when it actually takes about twenty-five. This person is often also your Britpicker, but this is a separate service, I’d say.

Britpicker. Everyone knows what a Britpicker is, right? The person who tells you you’ve used the word “gotten” again, and that “recognize” doesn’t have a z in it in the UK. Also it’s a lift for God’s sake, not an elevator! In other fandoms, you may need an Americanpicker or other. (I’ve yet to be asked to act as a Canuckpicker, much to my disappointment.)

*-picker. You can call in an expert on anything, really. If you have violins in your story, call in a violin expert! Cricket? The inner workings of the BBC? Find a picker for that! It never hurts to call in someone with specialist knowledge. 

Smut Beta. The person who helps you sort out those insanely complicated sex scenes. This is someone you trust not to laugh their bums off at you as you stumble through this terrifying territory.

Canon Beta. Someone whose inner knowledge of the canon in question is exquisite, and who can make sure you haven’t made any egregious mistakes. 

Formatting Beta. This is a person who makes sure your code is clear to be posted. In more complicated stories, this might be a bigger deal than usual.

One person can be many of these things; obviously they’re not mutually exclusive.  I think you could merge a few of the pieces and end up with a sort of sounding board beta you talk to before and during the writing, and then the person with the laser eyes you call in once you have something to actually look at. But these are (at least some) of the work that is behind the scenes of a fanfiction story.

If you are someone who would like to be someone’s sounding board, but you don’t really want to be responsible for line editing, you can still offer to beta. It’s just a different kind of relationship, and different expectations on both sides! All kinds of betas are welcome, useful, and intensely valuable!

Did I miss any?


posted 9 months ago on 20/9/2012 + phantomwiseivyblossom)

it's a moo point.: the significance of plot without conflict 

stilleatingoranges:

In the West, plot is commonly thought to revolve around conflict: a confrontation between two or more elements, in which one ultimately dominates the other. The standard three- and five-act plot structures—which permeate Western media—have conflict written into their…


posted 11 months ago on 7/7/2012 + falulatonksstilleatingoranges)
→ with 69,253 notes

tags:
#writing

"This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals—sounds that say listen to this, it is important."  -

Gary Provost (via qmsd)

This might be my favourite quote on writing ever.

(via bdoing)


posted 1 year ago on 9/6/2012 + such-heightsqmsd)